The term Rockumentary is a neologism denoting a program on television or a movie documentary about rock music or its musicians. It is a portmanteau of the words "rock" and "documentary." The term was used by Bill Drake in the 1969 History of Rock & Roll radio broadcast, and by Rob Reiner in the 1984 mockumentary film This Is Spinal Tap.
Selling For DVD Music/Band History
- DVD Format : 1 DVD 1 Film
- English Sub and No Sub
- No Cover, No Label, With Box
- IDR 20.000 per DVD
- Not Include Shiping
- PM CLOSED
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SIMPLE LIST GAN:
1.BLACK SABBATH THE STORY
2.AMERICAN HARDCORE ++
3.DIG!
4.IT MIGHT GET LOUD - JIMMY PAGE (LED ZAPPELIN), THE EDGE (U2) AND JACK WHITE (WHITE STRIPES)
5.LIVE FOREVER � RISE AND FALL OF BRITISH POP MUSIC
6.METAL � A HEAD BANGER JOURNEY
7.RADIOHEAD � MEETING PEOPLE IS EASY
8.RAMONES � END OF THE CENTURY
9.ROCK N� ROLL (5 DVD)
10.THE BEATLES � THE FIRST U.S VISIT
11.BOB MARLEY �TIME WILL TELL
12.NO QUARTER : JIMMY PAGE AND ROBERT PLANT � UNLEDDED
13.JIMMY HENDRIX THE MOVIE
14.JOY DIVISION
15.KURT & COURTNEY
16.NIRVANA MTV UNPLUGGED 2007
17.PINK FLOYD � THE WALL
18.THE CLASH � RUDE BOY
19.THE CLASH � WESTWAY TO THE WORLD
20.THE ROLLING STONE � SYMPATY FOR THE DEVIL
21.TOMMY THE WHO � THE MOVIE
22.UK/DK
23.SCREAMING MASTERPIECES
24.KILL YOUR IDOL
25.JOE STRUMMER � LETS ROCK AGAIN
26.SEVEN AGE OF ROCK
27.IRON MAIDEN � FLIGHT 666 THE FILM AND THE CONCERT
UPDATE:
28. LED ZAPPELIN - THE SONG REMAIN THE SAME
29. THE DOORS - OLIVER STONE
30. THE DOORS - 30 YEARS (3 VCD)
31. THE ROLLING STONES - GIMME SHELTER
32. THE ROLLING STONES - STONED (2 VCD)
List DVD :
#1 BLACK SABBATH STORY
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THE BLACK SABBATH STORY VOLUME 1 traces the roots and origins of BLACK SABBATH on an album by album basis and features rare performance footage including N.I.B.Paranoid, and War Pigs. Watch Ozzy and company slay the 300,000 plus crowd at California Jam 1974 with a blistering rendition of Children of the Grave. THE BLACK SABBATH STORY VOLUME 1 covers all the bases of the Ozzy years.
THE BLACK SABBATH STORY VOLUME 2 picks up immediately where volume one left off. With Ozzy and Bill Ward out of the picture, Geezer and Tony recruit Ronnie James Dio and Carmine Appice for BLACK SABBATH Mark II. Warner Bros includes the live promotional videos for Neon Knights and Die Young. Once Mark II fell apart, Geezer and Tony continued onward with vocal god Ian Gillan. The interview with this newly revamped version of BLACK SABBATH indicated that everyone was happy with the chemistry. But it was not to be. BLACK SABBATH Mark III didn�t last long and did not have time to film any live footage, so the only representations from this period are the promo videos for Trashed and the bizarre Zero the Hero. The rest of the documentary focuses on the years BLACK SABBATH fell from grace with the videos for No Stranger To Love, The Shining, Headless Cross, and Feels Good To Me. The band redeemed itself somewhat with a reformation of the Mark II lineup with the return of Dio, Geezer, and Carmine Appice. The album was called DEHUMANIZER and the video included here is TV Crimes. When this documentary was put together by Warner Bros in honor of the Mark II reunion, the narrative ends on a positive note as if the newly rejuvenated BLACK SABBATH would last forever. How embarrassing for Warner Bros not being able to control the revolving door politics of one of their most celebrated rock bands.
#2 AMERICAN HARDCORE ++
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American Hardcore is a documentary directed by Paul Rachman and written by Steven Blush. It is based on the book American Hardcore: A Tribal History also written by Blush. It was released on September 22, 2006 on a limited basis. The film features some early pioneers of the hardcore punk music scene including Bad Brains, Black Flag, D.O.A., Minor Threat, The Minutemen, SS Decontrol, and others.
#3 DIG!
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DiG! is a 2004 documentary film directed by Ondi Timoner, and produced by Ondi Timoner, Vasco Nunes and David Timoner. Compiled from seven years of footage, it contrasts the developing careers of the bands The Dandy Warhols and The Brian Jonestown Massacre and the bands' respective frontmen Courtney Taylor-Taylor and Anton Newcombe. It won the Documentary Grand Jury Prize at the 2004 Sundance Film Festival. The production company that created DiG! was Interloper Films, LLC.
Compiled from 2,000 hours of footage and narrated by Courtney Taylor, DiG! follows the underground artist Anton Newcombe, promoting him as one of the more important yet comparatively unnoticed artists of our time.
#4 IT MIGHT GET LOUD
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It Might Get Loud is a documentary by filmmaker Davis Guggenheim. It explores the history of the electric guitar, focusing on the careers and styles of Jimmy Page, The Edge, and Jack White.The film documents the varied playing and recording styles of guitarists Jimmy Page, The Edge, and Jack White.
Page's history with guitar traces back to his childhood when he played in a skiffle band. After desiring to do more than play pop music, Page "retires" from guitar playing to attend art school. He later revives his music career as a session guitarist, only to be discouraged by the realization that he is playing others' music and stifling his own creativity. At that point, Page begins to write and perform in the bands The Yardbirds and Led Zeppelin. Page discusses the skiffle and blues music that influenced him at the time. For many of Page's scenes, he visits Headley Grange, where parts of Led Zeppelin IV were recorded, and in one scene, explains how the distinctive drum sound from "When the Levee Breaks" was achieved.
The Edge's history with guitar traces back to building a guitar with his brother Dik and learning to play. In the film, he visits Mount Temple Comprehensive School and recalls forming U2 in his childhood. He also demonstrates his playing technique, in how he eliminates certain strings from chords, as well as his use of echo and delay effects to "fill in notes that aren't there". He also discusses his purchase of his signature guitar, the Gibson Explorer, in New York City and the punk music that influenced him. In other scenes, he plays early demo tapes of "Where the Streets Have No Name", discusses his inspiration for "Sunday Bloody Sunday", and spends time experimenting with guitar effects for the riffs to "Get on Your Boots".
Jack White traces his musical background to his childhood in a rundown neighborhood of Detroit. Living with two drum sets and a guitar occupying his room, White struggled to find a musical identity, as it was "uncool" to play an instrument and his nine siblings all shared a musical propensity. His strong interest in blues and roots music opposed the hip hop and house music popular in the predominantly Latino south Detroit neighbourhood at the time. White eventually finds a niche in a garage rock band called The Upholsterers while working as an upholsterer, which paves the way for his future bands The White Stripes and The Raconteurs. White's philosophy is to limit and challenge himself in various ways to force creative approaches to recording and playing.
#5 LIVE FOREVER � RISE AND FALL OF BRITISH POP MUSIC
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Live Forever: The Rise and Fall of Brit Pop is a 2003 documentary film written and directed by John Dower. The documentary is a study of popular culture in the United Kingdom during the mid to late 1990s. The focus of the piece is British popular music (Britpop), which underwent a resurgence during the mid-1990s and then seemingly retreated with similar haste towards the end of that decade.